Friday Book Whimsy: The Masterpiece

I love books that provide me with a historical perspective. I especially love when I can learn something new from a novel. I realize a reader has to take care to remember that it is a novel; still, I always hope that the author has done enough research to make a reasonable attempt to educate their audience accurately.

Author Fiona Davis has written two previous historical novesl: the first — The Dollhouse — provided the reader with a clear picture of the famous Barbizon Hotel in NYC, where young women trying to become models or actresses or secretaries could live and feel safe. Her second novel — The Address — used the famous (or infamous) Dakota Apartment on NYC’s upper west side as its location. I liked that book a bit less than the author’s first. Still, I loved what I learned about perhaps the most well-known apartments in New York.

Fiona Davis takes the reader on an artistic journey with her third novel, The Masterpiece. The star of this novel is a real-life art school that existed in the 20s and 30s in Grand Central Terminal — The Grand Central School of Art. In the late 20s, Clara Darden teaches at the school. She is the lone female teacher, and struggles to maintain respect simply because she is a woman. Fifty years later, divorced Virginia takes a job — her first following her divorce — at Grand Central Terminal in the information booth. This leads to that, and she discovers a hidden painting by Clara Darden.

The reader is taken on a journey of two women becoming independent in different ways. The Masterpiece is also the story of Grand Central Terminal, and the art school that lived within. It was the work of some committed people that prevented Grand Central from being torn down and made into condos. Sound familiar?

I liked The Masterpiece a lot better than The Address. I felt the characters were much more realistic and the back stories were more interesting. It provided a history lesson while reading a book with interesting characters.

Here is a link to the book.

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