Murder on a cruise ship. It sounds very Agatha Christie, doesn’t it? All it needs is a small Belgian detective using his little gray cells to solve the mystery. Except about the only similarity between Agatha Christie and author Ruth Ware is their British background.
The Woman in Cabin 10 is Ware’s second novel. Her first, In a Dark, Dark Wood, (which I reviewed here) was a psychological thriller that took place in an all-glass house deep in the woods somewhere in England. Her second, The Woman in Cabin 10, is another psychological thriller, this one taking place on a cruise ship.
In fact, for the most part, The Woman in Cabin 10 is simply The Girl on a Train, except on a cruise ship. I found myself alternately at the edge of my seat because of gripping tension, or screaming out loud, “Oh for heaven’s sake, don’t have another drink!”
I found the book frustrating.
Laura Blacklock (called Lo) is a writer for a London magazine. Circumstances result in her getting a coveted assignment – reporting on the inaugural cruise of a very fancy schmancy small cruise ship on some rich-and-famous people will be traveling. This is her BIG CHANCE. DON’T. SCREW. IT. UP.
Unfortunately, at the very beginning of the book (and shortly before she leaves on this business cruise), Lo’s apartment is burgled while she is home. The burglar, though he has a gun, does not kill her, but instead leaves with some of her belongings. The incident shakes her up so much that she pretty much is a wreck for the rest of the book.
Already freaked out because of her own personal incident, the very first night on the cruise ship, she borrows some makeup from the woman in the next room, and later on witnesses a body being thrown overboard from that same room.
Well, it turns out no one else has seen that particular woman – EVER – and no one else heard a body being thrown overboard. And since Lo has been diagnosed with an anxiety disorder for which she takes antidepressants, and since she is already freaked out by her own scare prior to leaving, no one believes her.
So what does she do? She drinks too much, takes too many prescription medications, and tries to solve the mystery herself.
The main problem with the story, at least in my opinion, is that the character of Lo Blacklock is so inherently dislikable. I wanted to not believe her myself. She seems to be paralyzed with fear – something that might be realistic, but doesn’t make for a very interesting novel. And I seriously got so very tired of her being drunk and overmedicated. Just say no to drugs, Lo.
And yet, just as with Ware’s first novel, the writing is quite good. Good enough, in fact, that I continued to read. And while the ending didn’t blow me away with surprise, I found it to be fairly satisfying and somewhat unpredictable.
Overall, I can recommend this book for people who like thrillers such as The Girl on the Train. Just be prepared to understand that this novel, readers, is not the next The Girl on the Train, as hard as the author might try and as strongly as the publishers might try to sell the idea that it is.